Showing posts with label Jung Chang. Show all posts
Showing posts with label Jung Chang. Show all posts

Wednesday, November 13, 2019

WEEK TWO #NonFictionNovember ~ CLASS & CHINA


So what’s next on the #NonFictionNovember reading TBR? The image is obvious, but to walk it on down through there it goes like this…
"In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her—from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world’s most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it—in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations—and whose story inspires us to do the same." 
Yes, yes, yes. I’m a year late to this party. But, as I always say, when a book comes it comes at the right moment in which it needs to be one's hand (or, heck, e-reader). Which, as a given, is now about Michelle Obama's Becoming for me. I wanted to use this #NonFictionNovember to lean into inspirational memoirs/autobiographical stories. You know, to get my own inner seas a glimpse of direction. Besides, life is a recipe that takes the right amount of timing of ingredients to bring it taste. BOOOOMMMMM! Put that expression on a T-shirt, buddy. It sounds like an opening tagline for a Real Housewives of Atlanta cast member. I’m picturing Cynthia Bailey. (But did y'all see what I just did there?)
But I digress. Y’all get the gist. I'm taking on the story of one of my most classiest of classiest women ever to exist. And that twinkle of thought is only the beginning. Basically, I'm looking for more confirmation to commit to this...


"Big Sister, Little Sister, Red Sister is a gripping story of love, war, intrigue, bravery, glamour and betrayal, which takes us on a sweeping journey from Canton to Hawaii to New York, from exiles' quarters in Japan and Berlin to secret meeting rooms in Moscow, and from the compounds of the Communist elite in Beijing to the corridors of power in democratic Taiwan. In a group biography that is by turns intimate and epic, Jung Chang reveals the lives of three extraordinary women who helped shape twentieth-century China."

Author Jung Chang tackles China’s history in the most storytelling of fashions. And finally we have a new release (you better believe it was on my pre-orders list) from her. Chang hasn’t released a book since 2013’s Empress Dowager Cixi (CLICK HERE TO SEE MY THOUGHTS ON THAT BOOK). Now she’s back with Big Sister, Little Sister, Red Sister: Three Women at the Heart of Twentieth-Century China. As I said, Chang knows how to relay China's history and make it both real, fascinating and enjoyable to digest. With this book I’m particularly interested in getting into Madame Chiang Kai-shek’s story. Years ago I attempted to read a biography of her story, but also that of her surrounding sisters. Let’s just say that biography didn’t have the spell-binding gusto and finesse as a Jung Chang book. HA! Now’s my chance to go further into this fascinating woman in history. And just China's history as a whole. Considering I have a deep fascination with The Cultural Revolution–among other eras of extremeness within China's history.

Anyway, I’m off to read. How about yourself, eh?

Thursday, February 27, 2014

Last Thoughts on "A Thousand Lives"

I almost didn't make it through this book, deciding that maybe it was too dark and truthful to read.  Much of that trepidation was brought to me after my first reading session, having had a nightmare related to the Jonestown event afterwards.  Nevertheless, I proceeded forward with reading A Thousand Lives, and the experience got easier.  So much so that in the middle of the book my sadness slipped away in place of an absolute, running inquisitiveness for how this ugly event unfolded.  And Scheeres didn’t seem to hold back--according to my intelligence on the subject.  She revealed a mountain of startling information/back story on the Jonestown event that had me scratching my head and sparkly-eyed at the same time.  It’s also interesting that the more I read it, the more I saw parallels between Jim Jones’s ill-intended actions surrounding the Jonestown community, and Mao’s actions over the larger-scaled China.  Toss in a few shared terms like “communism” and “socialism” and I was sold by the connection my feelers kept picking up--having experienced reading Jung Chang’s Mao: The Unknown Story a month previous.

My current dilemma is that I don’t know exactly how to tackle this surfacing of thought diligently.  Or without branching into another web of topics concerning the two.  What I’m pondering sounds both sensitive and insensitive.  So much so that I just want to disregard the entire subject.  Still, it’s clear to me that Jones and Mao used politics and lies to reign on their followers.  They practiced some intense chicanery.  They purged their many enemies and rivals without too much hesitation.  They used the power of hunger and defeatism.  And they repeatedly pounded their maniacal-based mantas to subjugate their defenseless crowds.  In the end many wearily walked into their deaths, after living with the broken hope for change promised by their leaders.  And both leaders' imploded on themselves in the end.

This is me keeping much of my troubling thoughts simple.

Nevertheless, through my reading of A Thousand Lives, I kept asking myself what everyone else may have asked themselves: “What would I do in this situation?”  Then I would ask myself do I know of anyone in my life that would be susceptible to something like Peoples Temple's (Jones’s organization) religious doctrines?  Or not so religious... as apparently seen.  

Would I have fought or spoken up come Jones’s final speech, much like Christine Miller did?  Nonetheless, a speech where Jones pushed and encouraged the sacrificing of the Jonestown community behind his contemptible lie that a war was about to storm the township after the murder of Congressman Ryan by his own men?  What ways would I have ran if I could run, just as some survivors did?  Would I have managed like the brave Leslie Wilson and her child, along with a handful of others who escaped into the jungle the morning Congressman Ryan stepped into Jonestown?  Would I have spoken up to leave with Ryan, just as Tommy Bogue and his father did?  Would I have been slick and brave like Stanley Clayton, who managed to slip pass the armed guards surrounding the perimeter for defects?  Or would I have been like the elderly African-American woman named Hyacinth Thrash, who followed her sister to Jonestown?  Hyacinth had a body so worn that she stopped attending the pavilion meetings in Jonestown (partly because she disagreed with Jones's message).  Her staying in her cottage this one night saved her life.  She hid underneath her bunk when the last of Jones’s men went about shooting other individuals who did not report to the pavilion to drink the poison.  While I couldn't recall her name, Hyacinth’s story as a survivor was one that I could remember after watching a documentary on the event years ago.  There was a “she is the woman they were talking about” moment as I read her piece on surviving.  

Nevertheless, the biggest question I kept asking myself was would I have ran if I saw my family die before me?

Even as I write this I get a little emotional at the thought.

Therefore, I will close this out by not only declaring that this book was an eye-opener, but that it also reminded me of how good it feels to be grateful to have those that I love still in my life.  And if I should take one thing from this book to keep me going, it would most certainly be the courageous story of the few Jonestown survivors.

What would you have done?  Hard to really answer, right?

Saturday, February 1, 2014

January Reading Wrap-Up

January was a very good month.  My year of blogging and book tubing remained strong, just as I’d planned and continue to work on.  Set the stage and keep on performing… so to speak.  In any regard, time to wrap up my January reads as we move on into February.  My list is incredible short because two of the books I’ve already written about on Comic Towel.  If you’ve read any of these books and have something to share about them, please feel free to do so.  Who doesn’t love discussing books, right?

Beside finally finishing Laurell K Hamilton’s airless Anita Blake novel, Affliction, and Maya Angelou’s inspirational collection of essays in, Wouldn’t Take Nothing For My Journey Now, I finally managed to catch up on Steve Bein’s multi-layered genre novel, Daughter of the Sword.  I also devoured Jung Chang and Jon Halliday's Mao.  Needless to say, I am now pleasantly--pleasantly--satisfied with them both.


Daughter of the Sword

Daughter of the Sword combines elements of urban fantasy, historical fiction, and crime fiction into one fantasy seen cavorting down some mean and murderous Tokyo streets.  To a degree, however.  The fact is that the narrative switches between several time periods between 1587 Japan and 2010 Tokyo.  Nevertheless, the story begins with Tokyo detective, Mariko Oshiro (the only female detective in the city so noted within the text), in the midst of placing a cap on a string of narcotics dealings taking place within the city.  Almost inadvertently, her sister collides into her latest sting operation, troubling Mariko’s position.  Go easy on the drug-using sister?  Or book her?  Mariko goes easy on her sister and later finds criticism for her actions via her partners.  It’s already troubling being the only female detective in Tokyo--now this.  What troubles abounds Mariko gets worst when the new station lieutenant, Lieutenant Ko, gathers Mariko into his office for a critical rundown of her previous operation.  In basic terms, he’s a straight-up asshole to her for a variety of reasons besides the fact that she is a female cop.  Nevertheless, with his rank, he decides to put Mariko on probation from working Narcotics cases, and in turn, sends her on “shit cases” involving an elderly Japanese man who recently reported an attempted burglary of his home.  Someone tried--but obviously failed--to steal one of his many ancient swords.  To be specific, his Master Inazuma sword named Glorious Victory. 

Reluctantly taking on the case, it's here that Mariko is introduced to Yamada, the elderly man who reported the attempted burglary.  With this introduction comes a budding friendship and a peek into the legend by the ancient Inazuma swords--which consist of three swords providing three different utilities to its wielders.  Now, while Mariko’s case seems packed and all well and good, what really sets this story off is the leaps into the past we experience as the narrative switches.  I should clarify that the book remains third person, however the narrative changes by providing interlocking plots that illustrate the purpose and power behind each Inazuma sword via characters from ancient Japan.  This was especially fun for me because I love Asian ghost stories and Japanese Kwaidan tales.

Now, the third narrative point revolves around the actual villain and his quest to retrieve the three Inazuma swords.  Meanwhile, he wields the bloodiest of them all, Beautiful Singer, around Tokyo leaving a trail of bodies for Mariko to follow.

The way this book comes together between these three points is what kept the text fresh and engrossing.  You get the history behind the swords, as well as the case, as well as the desperate actions of the villain, all rolled into one.  It’s also told through a solid beat, or voice, that is consistent throughout the ride.  Therefore, the switches between narratives didn’t drag through certain areas to impress you with monologues on tradition and culture.  All that was woven into the voice.  A personal plus for me was that the book wasn't urban fantasy underneath the veil of chick lit.  Therefore, no romance was present enough to override the plot.  That, my friends, is gold country right there!  I recently bought the second novel in the series, Year of the Demon, and will be sinking my teeth into it this month.  Steve Bein.  You have a new fan.


The Unknown Story: Mao

Without a doubt, The Unknown Story: Mao, by Jung Chang and Jon Halliday, made for a thick and concentrating read.  There was absolutely nothing light about this 600+ page elephantidae of a biography uncovering the life of one of China’s [add your own adjective here] leaders.  I walked away from reading the book mesmerized, puzzled, and a little appalled at this leader’s tenacity to beat an entire country of people down, particularly through the use of vicious indoctrination and starvation.  Now, much of this I’m familiar with having read books (fiction and non-fiction) revolving around the atrocities of China’s Cultural Revolution.  However, there was no way I could know--or even come to understand--the truth behind its history.  This book provided that truth; some agree some disagree.

What a spread of information!  From Mao’s Communist beginnings, his many rivalries (I saw Chiang Kai-shek more like a nemesis; only one I voted for between the two), his usurping of the Red Army, and the fate of his wives; this book was just an uncontrollable wealth of information page after page.  Let’s not even forget to mention Mao's ugly Purges, kidnapping schemes, poisonings, and failed attempts to spread his Maoism across the world as China starved.  This book was explosive to say the least, and I enjoyed every minute of delving into the dept of this man.  It was an exhaustive ride, but very much worth the trip.  Guided by Chang and Halliday’s near seamless writing, I found myself devouring every bit of painted descriptions, character (though they are actual historical people) portraits, and factual (rather documented) pieces of dialogue.  However, I must say that in the beginning I was gathering a “textbook” feel for the book, but eventually their storytelling operation took over the more I understood the role and names of the historical people this book was written around.  Only then did each event unfold ceaselessly until its end.

More could be written on this biography--lots more.  As usual, any biographer will receive their share of criticism about their interpretation of history.  Apparently, Chang and Halliday received theirs in bulk.  Nevertheless, for the individual that I am, I am happy to say that I found myself complacent with what I received from this book.  I can’t weight fact from fiction because I‘m not an expert or historian on the subject of Mao.  All I can say is that I read the book, soaked into the history/story, and found myself a lot smarter and informed at its end.  That’s good enough for me.


What I'm Currently Reading

A couple of weeks from now will mark a year since I had this particularly book.  After digging into the depths of Mao, I thought it was time for some light reading... with a little post-apocalyptic zombie mayhem.  Domino Falls (second in a series) by the married writing duo, Steven Barnes and Tananarive Due, had been staring at me from its sleeper position on my shelf for quite some time.  I figured what the hell, I could save money buying books by reading what I already have.

At approximately 179 pages into Domino Falls, I have to say that I like the first book in the series, Devil's Wake, a little better.  Mainly because in Devil's Wake we are introduced to the zombie outbreak on what is known as Freak Day, as well as the immediate chaos that followed.  Plus, we witnessed how the cast of characters came together, which is always fun.

In Domino Falls, the pacing has slowed down considerable from chase scenes, survival tactics, and shootouts.  This is done in favor of building character conflict/discord/relationships, survival-town huddling, and a creepy mystery hinting to something out of The Walking Dead's Governor's secret room.  I haven't gotten into that part quite yet to tell what is happening, but it's definitely happening.  I'm kind of upset that I put the book down a year ago after stopping about 20 pages in.  The shift in pacing between the two books is necessary.  So what was I thinking?

Nevertheless, the draw of this series (when is the 3rd book due?) is the fact that the main cast of characters are people of color.  It's the same cast of survivors, ranging from late teens to mid-twenties, that were introduced in the first book, Devil's Wake.  From African-American to Native American, the seven of them (plus a dog) find themselves manning and avoiding the politics that make up the survivors town/colony inside Domino Falls.  While several of the cast of characters annoy me, I can't help but grin because I know them so well from the first book.  Should something happen to one of them, I don't know how I'll handle myself.  With that said, I don't think all eight of them will come out of this novel together.

After I post this, I'm seeping back into their world.

Books That Didn't Make It

There is one book in the month of January that I bought and couldn't find myself to finish.  I found it at my public library's bookstore.  It's called The Healing, by Gayl Jones.  I haven't decided whether I should give the book another try or not, but as of right now, it's on my TD pile--To Donate.  I've never read Gayl Jones, but I am a complete sucker for African-American writers who are of a certain age writing with a certain wisdom and vernacular that reminds me of butter on toast.  While I don't doubt that a book about a traveling faith healer is absent of some of the elements I love in African-American writers, Gayl Jones's The Healing just missed its mark with me.  It wasn't so much that the narrative is written in a stream-of-conscious fashion, it's the fact that her dialogue is un-punctuated!  If you have the patience to re-read lines to determine whether you are comprehending inner monologue or actual dialogue, then good for you.  For me, it's not worth the headache.  Maybe one day I'll get there, but I'll have to settle for what I am familiar with in this instance.  I can read The Healing to be absorbed into a story, not to find myself reading the equivalent of stepping carefully over shards of glass.  Sad that I didn't make it...

Thanks for catching up with me.  I'll share my latest video explaining as an extension to this post.  Well, actually, this post in an extension to the video.  (^.^)



Saturday, January 4, 2014

7 Favorite Reads of 2013

HAPPY NEW YEAR!  2014 IS HERE!

With each year comes one concrete, consistent thing that forever entertains, comforts, and enlightens me... that would be books.  According to Goodreads I read more in 2013 than 2012.  I felt a little surprised, certain that it was the other way around for some reason.  Still, I had a few decent books on that list that I cropped through to find my 7 Favorite Reads of 2013 that I wanted to share on the blog.  Some of the books I've never written about; this is the perfect time to do so.  I also have another list comprising of a few of the books I rather leave in 2013.  Neither list is necessarily numbered in order of greatness, flavor, or level of entertainment.  It’s just a list of the books I walked away from feeling mostly inspired (or uninspired) by.
Here goes…
1. The Goddess Chronicle by Natsuo Kirino

Natsuo Kirino is a Japanese crime writer best known outside of Japan for the English adaptation of her grizzly novel, Out.  I was introduced to her by that particular book, after a bored bookstore stroll for new titles to read.  Quickly put, Out is about four hard-up Japanese women working in a bento factory while disposing bodies for extra cash.  Their method of disposal?  Divide the bodies into pieces before each takes a part to an undisclosed location for dumping.  It doesn't take long before their trust with one another, concerning money and their nasty dealings, begin to unravel from within.  And true to its nature, some of these women don't make it till the end of the novel.  While Out may sound like some sort of ABC crime novel under the streets of Tokyo, the psychology Kirino goes through with each of the women places this book a whole step above.  That exploration into a character's dark psychology (and impulse) is familiar in Japanese crime novels.  You see it in authors Keigo Higashino and Miyuki Miyabe as well.  Nonetheless, I was sold by Out's synopsis and have been a fan of Kirino since.  

The next novel adapted into English was her book, Grotesque.  Just as dark as Out, Grotesque follows the story of two Japanese sisters weighted by the inferior treatment of women in Japan.  One sister has turned to prostitution underneath the weight.  When I say this story will take you down some dark and scary places--I mean it.  It is one ride that will keep you hanging on just to find some kind of resolution with these sisters.  If you can stomach it, of course.  In 2008 the English adaptation of Kirino’s Real World was released.  Here we had another dark story featuring a group of Japanese teens assisting a murderer-on-the-run within their group.  Naturally, Kirino’s dark stories reflect societal concerns, particularly bullying and the heavy amount of pressure placed on Japanese students and academics, so addressed in Real World.  

So what is Kirino’s fourth English adapted book about?  

Almost the same theme concerning the overthrow of women in Japanese society; however, it’s told underneath a retelling of an old Japanese kwaidan-like myth.  The Goddess Chronicle takes place on a Japanese island shaped like a teardrop (let’s go ahead and push the symbolism).  On this island we’re introduced to two sisters born and designed to fulfill a local prophesy.  One sister, Kamikuu, must be a representative of purity and light, whereas the other sister, Namima, resides in the shade.  Natural to Kirino’s characters and storytelling, Namima wishes to escape her position underneath her sister’s shadow.  This wish becomes increasing dire when Namima is ordered by tradition to serve the goddess of darkness.  To serve the goddess is to live in isolation without the island’s graveyard, attending to the dead.  However, Namima carries a secret that breaks her tabooed position as a servant of the darkness.  Namima devises a plan to escape the island.  Should the tradition-baring locals find out about her secret, the consequences could equal up to her life.  Where Namima's eventual escape leads her is to the Realm of the Dead, where she meets the goddess of darkness herself.  It's here that Namima realizes that she has a lot to relate to with the goddess herself.  They both share the pain of the betrayal.  Now to find absolve (or maybe revenge) within those betrayals are the women’s common goal.


2.  Night by Elie Wiesel


3.  Tar Baby by Toni Morrison




4.  Linden Hills by Gloria Naylor


My post on Linden Hills.  


5.  The Shining by Stephen King




7.  Crazy Rich Asians by Kevin Kwan



Now the 3 books I'd probably leave in 2013 follows...

1.  Jazz by Toni Morrison


Seems a little off I'm sure.  It's not that I disliked the book, it just wasn't what I'd hoped for.  I've learned that much of Morrison's material post-80's has what I see as a distracting dip in vivid prose and language.  The problem for me is that that "distracting" sometimes lures me away from gathering some sense of the plot of the book, or even the order of the plot.  Add in the multiple themes and narratives in JazzI just didn't leave fully connected with overall story.  However, some of the individual narratives in the book stood so strongly that it was like reading an individual short story inside the book.  Glimpses of pieces of the past that made the two main characters was where I enjoyed the book the most.  In any regard, it's definitely a book that needs a second, focused read.


2.  The Shadow Reader by Sandy Williams


The Urban Fantasy genre has failed me over the years.  After Laurell K Hamilton's Anita Blake series set the tone for what to avoid while writing/reading in the genre, I've been sketchy on picking up anything that even distantly suggests a girl must sleep with vampires and werewolves for a plot.  Save for the authors who introduced me to the genre (sadly, Hamilton is one), I try to look carefully for new authors in the genre.  I'm afraid they'll try to pull me in with a ridiculous plot about sex and a she devil who thrives on it to survive.  Williams, luckily, isn't any of those things.  However, what did annoy me about this particular book was that the heroine spent a little too much time than I cared for ruminating on her affection between two guys.  One guys is labeled bad.  One guy is labeled good.  We got a love triangle and the whole time I just wished the main character, McKenzie, would give up the need for romantic stability and just start slaying heads.  Something tells me that's a personal taste of mine.  Nevertheless, I'm actually on the fence about continuing the series.  I'll let it get a few books in then see.


3.  Deadline by Sandra Brown


She has some good ones.  She has some boring ones.  This was a boring one.  I hate to say it, but many times Brown's characters are all the same.  Their careers are different, but their desires are not.  Predictable in many senses.  I saw a lot of that in Deadline.  Same as in 2012's Low Pressure.  Same as in 2011's Lethal (which I actually liked).  As I said before, Brown's books sometimes read like Lifetime movies--and that's not a bad thing.  But here's what I see too often that annoys me.  There's a guy.  He's often a suspect involved in the murder contained within the book.  He likes the girl.  She's often related to the victim in some way.  They're either on the run from cops or bad guys.  Between that running, she is a wall to his desperate sexual advances.  She cracks.  He makes way.  Together they become a force to smoke out the true killer.  That's been her last 3-4 books.

That's the end of my list folks!  Wish I could've written about them all, but trust and believe me when I say that the ones that I didn't write about would've required an entire post.  Any suggestions or comments?  Do you have a list 2013 book list of favorites?  Share and let's compare notes!

Sunday, December 1, 2013

Jung Chang | Cixi

I was a little wary in writing and posting about Jung Chang’s latest book, Empress Dowager Cixi: The Concubine Who Launched Modern China, for several reasons.  I’ll state a few of those reasons even if they may sound preposterous.  One reason is that I’m not a historian or scholar and this book is a biography about a 19th century Chinese Empress.  With no claims to know every single historical detail on that century/era, I feared some form of ridicule from those who've studied the subject--professionally if I should say.  Still, that small hesitation was constantly pounded by my affinity for Chinese history, developed from reading Chinese and Chinese-American authors. 

The other reason I was wary came through my research on the author and her status in China.  Evidently, with her books banned in China, Jung Chang is only allowed there in short visit to see her mother and sister.  So what happens if an individual from China ran across my blog post (which according to my blog’s statistics, they are there)?  Would this cause readers to turn away because of the debates behind the author and the subject of Empress Cixi herself?  I gnawed on that for a while after reading the book… always the careful thinker.

Then I realized I was being ridiculous to the ninth degree.  Really, I enjoyed the book enough to be inspired to post about it.  So why in the hell was I over-thinking doing so?

I first heard of Jung Chang when I worked in a bookstore in Atlanta.  It was around the time her book on Mao released and the publisher did a re-release of her early 1990’s book, Wild Swans.  Because Mao was a behemoth (about 900 pages) and had yet to really urge me to tackle its reading, I was instead excited to grab a copy of Wild Swans for drowning myself in stories about Chinese mothers and heartache during the Cultural Revolution.  And I did so with pleasure; Wild Swans comes highly recommended from my reading list.  I have yet to read Mao: The Unknown Story, although now I’m ready for the action (just yesterday I picked up a copy).  However, I kept Chang in mind after my experience with Wild Swans.  Naturally, after years of patience and double checking her profile on Amazon, I was glad to see that she was releasing a new title in 2013 based on a Chinese Empress named Cixi.  Drool and bolts of excitement struck me until its release and I spent no time cutting through this exciting book the minute it was in my hands.  Once finished, I went online to search every video, article, and review to match my concluded enthusiasm with others.

I suppose it should be stated that Chang received some criticism for her latest book as well as her previous.  Decades of debates swirled around Cixi’s ruling methods over China, and it's here that Chang gathered criticism for painting a rather “white” light on her portrait and perspective of Cixi.  Lucky for me I didn't have much to debate with as I went into the book.  I just knew I was about to learn something valuable.  I trusted Chang's details would be genuine and true; nobody reward lies in a biography or piece of non-fiction.  Nevertheless, my realized desire was to gain awareness of the story of a woman in power during historic China.  I wanted to understand and fill my head with the story/portrait of Cixi, but not necessarily with the inclusion of deciding whether her decisions as one of China’s leaders belongs to my judgment.
Credit: Jon Halliday

Jung Chang begins Cixi’s story with 16-year-old Cixi (the daughter of one of China’s government employees) gaining the attention of China’s then emperor, Xianfeng, during the Great Qing dynasty.  As one of Emperor Xianfeng’s many concubines, Cixi’s role was more or less summarized to her producing a male heir as the successor of Xianfeng’s rule.  She became the only concubine who managed to do such.  Sheltered within the confines of the Forbidden City in Beijing, Cixi grew with little awareness of the world surrounding China, although there was curiosity for that world.  It wasn’t until British and French forces moved into Beijing during the 19th century, when foreigners sought much of China’s resources as well as tangling in opium war discord, that things begin to turn within the Great Qing dynasty.  As foreign troops stomped through Beijing, destroying the emperor’s Old Summer Palace with fire, Emperor Xianfeng fled with his family/court to a Hunting Lodge in Northern China.  

Emperor Xianfeng died in the lodge, but before his death he consorted with his Board of Regents in producing a will that placed his only son as ruler.  With the help of Emperor Xianfeng’s wife, Empress Zhen, did Cixi step forward to maneuver her way into becoming the Empress Dowager of China through the shield of her toddler son’s new found position as leader.  With the rise of foreign contacts, affairs, and disputes, Cixi saw that it was time for reform in China.  According to Cixi, to do that required China to open up its doors to Westerners instead of resisting them.  

Given that opposition would arise within the Qing court, one of Cixi’s first strategic moves was to rid her son of the Board of Regents while allying herself with her late husband’s brothers (Prince Chun and Prince Gong).  The removal of the opposing Board of Regents resulted in a twisted political game moved in Cixi's favor.  With the threat hanging over her new found position removed, Cixi went on to pull the political strings surrounding China’s move toward modernity and reformation of culture/traditions (she is known as banning Chinese foot binding).  Having all the details documented in Chang's book, it's hard to not find yourself wrapped in Cixi's ambitions struggle.  And needless to say, by the end of the book, Cixi left a body or two along the path to China's move into modernity.  But what leader in history has not?

Empress Dowager Cixi: The Concubine who Launched Modern China is a book that provides a sharp, piercing look into what was then of China and its inner politics.  It’s here that we not only learn the insides on what made Cixi tick as a fascinating and frightening leader full of intent, but also we get to witness evolving China move into the modern age suggested by Cixi’s ruling.  From China’s dealings with Japan over sovereign countries, budding Chinese Reforms and the (what I saw as) somewhat backlash that sparked the Boxer Rebellion, and the pickings of foreign countries stripping the dynasty of several of China’s territories, did this expansive book reflect on the makings of  modern China through the grounding of Cixi’s story.

Without a doubt this became a gripping, well-written (and apparently thoroughly investigated) read that I would recommend to anyone interested in exploring Chinese history through the eyes of one of its most charismatic and powerful rulers.  We watch Cixi struggle to keep her country’s traditions while remain aware of the inevitability of opening China’s doors to world.  It's a wager filled with consequences and successes till the bitter end.  With that said, I am now capable and ready to move into reading Jung Chang's Mao: The Unknown Story. For more on Jung Chang and her new book, click on the video below.

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