Showing posts with label Maxine O'Callaghan. Show all posts
Showing posts with label Maxine O'Callaghan. Show all posts

Thursday, December 30, 2021

Linda Barnes, Stand Up Detective

Sue Grafton is not only one of my top three favorite authors, but she is my top favorite mystery author. The contemporary female private eye is my favorite sub-genre within the mystery field, and Grafton’s famous investigator, Kinsey Millhone, is easily my favorite mystery protagonist. I just simply identified with Millhone. Millhone was forward. She also had a loner-type personality, independence, and the matter-of-factness that I identified with from the first book, A is for Alibi. Nevertheless, as well all know, Grafton died four years ago as of my writing this. And with Grafton’s death went the last book in her Kinsey Millhone series, which would have been titled “Z is for…” presumably “Zero” (actually I think Grafton confirmed that “Zero” in an interview). Grafton’s death was a blow in all matters of mystery and literature in general. But, especially, to her fans.

But I am going to stop here, as after her death I decided to concentrate seriously on reading her peers. 2018 saw me smash through Marcia Muller’s Sharon McCone series. 2019 saw me do the same with Sara Paretsky’s V. I. Warshawski series. Earlier this year I nailed Maxine O’Callaghan’s Deliah West series and finally finished P. D. James' second (and final) Cordelia Grey mystery. 2022 I have plans for reading another British author, Liza Cody. Cody's British private eye, Anna Lee, was making waves overseas during the beginning of Grafton, Warshawski, and O'Callaghan's stories. Nevertheless, there is one other Western author I had on my list to at least start in 2022. That is Linda Barnes and her Carlotta Carlyle female investigator (Barnes has an earlier series featuring a male investigator).

Honestly, it took me a while to find a quality copy of the first book, A Trouble of Fools. Finally, I did. Barnes' Carlotta Carlyle came out in 1987, five years after Grafton and Paretsky made waves. Therefore, Barnes/Carlotta definitely counts as a pioneer contemporary female investigator.

Thus, my journey to take on these ladies and their stories continue. Happily.

Sunday, October 2, 2016

Delilah West: One Female Private-Eye You May Or May Not Have Heard Of

I have got to admit that I love female private-eye series pre the 2000’s.  And from the 70’s on into the early 90’s is where I often find the best stories.  Unless an author has established him or herself during those periods; post 2000 female private-eye series always seem to have this distracted flavor to them.  If I could put it into words, I would say there’s hard-boiled then there’s hard-boiled just to “look cute.“  Or, to be a lot more transparent, the rash of relationship drama and sex to maintain an audience tends to kill my vibe.  (Here’s to you Stephanie Plum.)  
Though I can’t speak on this with any totality of thought (if that makes sense).  Still, hardly have I experienced the whole “once to bed, twice is enough” experience in series built in the two decades following Maria Muller’s genre-shaking debut.  You know, of her 1977-birthing of female private-eye, Sharon McCone.  And Sharon was a great protagonist to flush in writers serving the world female-led hard-boiled stories during the 80’s and 90’s.  Of course without characters tip-toeing pass hotel wallpaper to slide into bed for a clue.  Usually with the unbeknownst killer.  
Muller gave writers a model of a female private-eye, and in turn, those writers served their special and unique versions of what translated as a woman detective carrying hard-boiled stories.  Plus, stories back then knew how to fill the pages with actual words–and procedural work.
But, incidentally, Marcia Muller's Sharon McCone wasn't the first contemporary American woman taking lead as a fictional private investigator.  Apparently, Maxine O'Callaghan's Delilah West came first.  Had it not been for a recent trip to a used bookstore, where I discovered West tucked in a stack, I never would've known.


As For Delilah West Herself
First, I have got to say that while researching O'Callaghan, I noticed she has newer reprints of her series.  And I have got to say I do not like the covers.  At all.  No shade to young adult books, but that’s precisely what the new covers of her Delilah West mystery books look like; some angst-filled YA book about vampires and love gone bloody.  Thank God I ran across her original paperback covers first.  And I’ll be sure to hunt for the original covers to this series here forward.  As dated as they may appear, it’s always best to keep to the classics in cases such as this.  I really, really can’t believe how awful the new covers are.

But I digress...
As I mentioned, the character of Delilah West pre-dates Marcia Muller’s Sharon McCone.  West first appeared in a short story featured in Alfred Hitchcock’s Mystery Magazine back in 1974 (three years before McCone debuted with Edwin and the Iron Shoes).  I suppose the short story break sort of did a strange disservice O’Callaghan’s protagonist, as Muller’s Sharon rose to attention and commercial success three years later.  While continuing to publish yearly releases to this day.  

Nonetheless, Orange County resident and ex-cop private-eye, Delilah West, broke into her first full-length book in 1981 with Death is Forever.  From 1981 until 1997, O’Callaghan released six Delilah West mysteries and a short story collection.
I say it’s high-time we catch up with Delilah West and keep her in mind when we’re talking about the beginning of the contemporary female private-eye. 

       

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