That’s two Tess Gerritsen books in one year! Can I get an amen? Well, of course. Yet, the latest, Playing with Fire, doesn’t involve Gerritsen’s series regulars Rizzoli and Isle. Nope. Playing with a Fire is a stand-alone thriller. To me it waggles between sometimes lukewarm in areas but immensely fascinating in others. Either way it's a quick, thrilling dash between the past and present. Done in classic, multi-layered Gerritsen style.
First, a summary of the book.
Playing with Fire is about a violinist named Julia Ansdell. Julia had the misfortune of acquiring an old, handwritten piece of sheet music called The Incendio Waltz. While traveling with her orchestra, she came across the piece in an antiques shop in Rome. So during a routine practice session back home in America, she plays it (or attempts to considering its difficulty) before her three-year-old daughter. During this practice session Julia blacks out, and wakes to find her daughter next to their just mutilated pet cat. Horrified, Julia suspects her daughter is responsible for the killing–for whatever reason. That suspicion leads the two into hospitals and therapy sessions for biological/psychological testing.
Desperate, the tests seem necessary for both Julia and her daughter. Yet when another practice sessions leads to another blackout, this time Julia awakens to a stab womb. And standing over her is her child. She concludes the common denominator of these violent-resulting blackouts are, somehow, the sheet music. Julia’s argument is the sheet music has a way of triggering something savage in her daughter’s subconscious. This, in turn, leads her to trace the composer's Venice origins. However, she comes across a problem on her journey. It appears an organization of political heads don't want the secrets of the piece revealed. And they’ll pull murderous stops in keeping Julia from unveiling its atrocious origins.