Back home in London and far away from the tombs of Egypt, The Ape Who Guards the Balance begins with Amelia Peabody and her rambunctious son, Ramses, amidst a Women’s Social and Political Union protest. Fighting for women’s rights to vote, Amelia is willing to chain herself to the fence surrounding 10 Downing Street in a demonstration fueled by anti-women suffrage. When the protest turns sour, and a collection of protesters storm the Member of Parliament’s home while in disguise, matters turn extra curious when said member and his staff are found tied in the home with all of the MP's Egyptian antiques stolen. Amelia immediately identifies this as the signature work of The Master Criminal named Sethos. However, Sethos was thought to be dead (if I'm not mistaken his "death" took place in book #7, The Snake, the Crocodile and the Dog).
Yet, apparently, it appears he’s alive and working his way through a new system of antiques thievery and racketing. And, as always, working new tricks at seeking love-lost revenge toward Amelia and her family–beginning with an abduction attempt on Amelia herself. Fortunately, things don’t go as Sethos has planned. So Amelia and her family follow through with their departure to Egypt in search of a permit to dig at a much sought-after digging site. Of course Sethos hangs closely to the family all the way to Egypt to further his shenanigans. And there goes the first portion of the book’s plot…
… the second and third portion follows the stories of Amelia’s son, Ramses, and his best friend, David acquiring an ancient scroll of the dead from an antiques dealer. Of course, this move attaches trouble linking back to Amelia’s problems with Sethos. Then the third portion of storytelling follows Amelia’s adopted daughter Nefret. She sets about trailing after the boys (Ramses and David), as well as finding herself confronting her own problems. Or some mess. I lost interest in both stories, really.
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