Friday, April 24, 2015

Bein and His Wind

Tokyo is about to find itself in the grips of a stream of terrorist attacks driven by a religious zealot named Joko Daishi. Joko is dedicated to his beliefs, those of which circulating around how society needs purification through a baptism of fire. However, the unconcerned citizens of Tokyo are too wrapped up in their bustling lives to give a damn about his message. And not “giving a damn” may be the reason Joko found himself released from police custody after his last terrorist event (check out book two in the series, Year of the Demon). And while Tokyo’s police department may have turned somewhat of a blind eye to Joko’s terrorism, Detective Sergeant Mariko Oshiro has not. Unfortunately, there’s not much she can do.  Having thwarted Joko in the past, Mariko's petition for her Captain to detain and hold Joko eventually causes her her badge. (You know, because she’s a woman and can’t be vocal.  That type of bullshit.)

Without the support of the Tokyo Police Department, Mariko has to find other resources to stop Joko from destroying Tokyo.  What Mariko doesn't know is that she's already drawn the attention of an underground syndicate known as The Wind. The Wind once harbored and trained Joko Daishi and, in effect, is responsible for him. Regardless, they need Mariko’s help.  She carries an Inazuma blade, handed down to her by her deceased senshi.  Inazuma blades are centuries old and cursed; The Wind believes this is their means of stopping Joko.  So Mariko's choice becomes simple–yet highly complicated.  She can join The Wind to stop Joko Daishi, or go at it alone before her city is destroyed. And the longer she contemplates her choices, the more personal her decision becomes.

Wow. Now where do I really start with this one? First, this is book three (and I believe it’s the last) in Steve Bein’s Fated Blades series. As I've mentioned in previous posts about previous books, the series is part contemporary crime thriller and part historical fantasy. It switches time and space.  A lump of chapters are told in the today's world, viewed through Tokyo Detective Sergeant Mariko Oshiro.  Her chapters focuses on her role as the owner of one of the various cursed Inazuma blades crafted in ancient Japan, and how she uses the blade to stop terrorists. Meanwhile, the counter chapters follows the story of a young, crippled samurai named, Daigoro. During Japan's Azuchi-Momoyama period, Daigoro is the owner of the same Inazuma blade as Mariko. The majority of his narrative revolves around him using the sword as a means to protect his clan.  With a mother suffering from a nervous breakdown after the death of his father and brother, adjacent clans use political manoeuvres and intrigue in attempts to take what little honor and status Daigoro has.  Naturally, they want his blade as well. 

These two have carried the series since the first book. However, in the second book came a new character named Kaida.  

Kaida was a pearl diver who turned away from her family to become an assassin working for The Wind.  Unfortunately, the continuation of her story isn't in Disciple of the Wind. So I was a bit disappointed.  Clearly her portion was meant to give readers the history behind the origins of The Wind, origins that would've been beneficial to Disciple.  But for Disciple's length purposes, her story is available in a Kindle novella.  I'll probably get to it at a later date.

Despite all that, I'm happy to say that there is more Mariko in this entry. And more Mariko means far more action in the form of shoot-outs, sword fights, and a healthy dose of detection and crime boss confrontations. In Year of the Demon my biggest complaint was the lack of her presence, so I suppose it worked to cut out Kaida’s story. Nevertheless, that’s not to say that Daigoro’s portion isn't as strong, as it draws to its own conclusion within the series (his opponent is easily the most interesting and best). I love his bits in particularly because they're all about ancient Japanese political intrigue.  Careful navigation of politics operate better than a flat-out sword fight, if you want to save your family and save your ass from a beheading. But trust me, there are still plenty of sword fights and action in his story as well.

Now I still have to mention how–after three books–some of the characters in the series come across as slightly overblown. One example comes in how Mariko’s Captain was an unapologetically drawn bigot who did a lot of fist-waving and kowtow-demanding of Mariko...still.  It just got old with him shrieking at her, and no amount of head-bowing could save Mariko or my patience.  Also, I know I just said that I was happy to see more Mariko, but even she suffered from moments of overdrawn-ness.  She karate chopped and sprung her way through some scenes where she didn’t appear threatened or in immediate danger.  So yes, there were times when I wished she would chill out for a second on the Zero Woman act.  

There were also moments where action scenes were muffled and scrambled with disorienting choreography. A bad guy leaping from a hail storm of bullets manages to hide undetected behind the leg of a pool table inside of a bar, meanwhile Mariko and her partner are underneath that pool table unaware of him. And when they finally notice said bad guy, he jumps up and leaps out of the window.  You can only wonder if the bullets stopped raining over the place enough for him to take the risk. Or still, how and when did he get behind that pool table’s leg undetected?  Lots of scenes came across like this.  Those hazy, semi-teleporting characters and scene transitions that aren't quite clear.

All in all, I highly recommend the Fated Blade series. Especially for those interested in Japan, Japanese culture, crime fiction, and historical fantasies.  Additionally, if you're like me and have mostly given up on the urban fantasy genre, this may be your ticket back in.  Give this series a greenlight.  

Lastly, if this is the last book, I can say I'll miss the series.

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