Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Wednesday, October 31, 2018

CHOP IT UP: Brown Girl in the Ring by Nalo Hopkinson


Brown Girl in the Ring by Nalo Hopkinson

So let’s summarize this three star read.  

Brown Girl in the Ring takes on a futuristic urban Toronto where the rich and wealthy have fled the inner city to keep away from the dangerous and troubled others.  This moves leaves the violent and murderous power over the city, in all their recklessly and unsympathetic glory.  To the determinant of the remaining downtrodden and disenfranchised innocents, they are stuck in the ugly walls and rules of the new Toronto.  

In enters Ti-Jeanne, a young mother grappling with newfound motherhood and living with a hyper-shamanistic grandmother.  Said shamanistic grandmother has roots deep in Caribbean traditions, including the kind geared toward wielding magic spells.  And it's Ti-Jeanne's grandmother who drills her on the importance of carrying on their family's cultural and magical traditions, as well as suffocating Ti-Jeanne with her overprotective and overburden concerns.

Unfortunately, despite showing innate abilities to communicate with Caribbean gods and goddess, Ti-Jeanne is reluctant to take part in her grandmother's beliefs.  Until Ti-Jeanne’s baby’s father comes seeking her help.  He works for a crime boss who shuttles drugs and harvests human organs for the rich and, having been caught sniffing some of the supplies, must now bring his boss a human heart fit for a politician looking for a transplant.  Though he's not a murderer, it's either the life of the transplant victim or his own. 

Suddenly Ti-Jeanne is forced to confront her family’s roots in servicing gods and goddesses to keep him, her baby, and her family protected from the organized evil knocking at their door.  And her family's connections to this evil runs much deeper than water.  It's all blood.


So first, what I did enjoy took place in the "inactive" areas of the book. Or the beginning’s relationship-heavy slices.

I loved the time Hopkinson’s spent in laying out Ti-Jeanne and her struggles as a character. Her being a mother was an issue. Her coming to terms with her walk-out mother was another. And, as well, she had issues with her baby’s father, Tony, who was back in her life. Hopkinson took care to spend time revisiting their past relationship as lovers. She also spent time going into its downfall due to Tony’s drug addiction. The issue of Ti-Jeanne not informing Tony how her baby was theirs complicated matters. And Tony himself was well-drawn, as he fought with loving Ti-Jeanne while working for a crime boss. And it's this boss who had him by the balls every step he took. So, needless to say, their drama had my undivided attention.

Wednesday, October 24, 2018

4 Reasons Why I Enjoyed the F Outta Kristen Britain's Green Rider ~ As a Below Average Reader of Fantasy Books (Though I Want to Improve That Average Desperately, Making This a Great Start)


"On her long journey home from school after a fight that will surely lead to her expulsion, Karigan G'ladheon ponders her uncertain future. As she trudges through the immense Green Cloak forest, her thoughts are interrupted by the clattering of hooves, as a galloping horse bursts from the woods.  
The rider is slumped over his mount's neck, impaled by two black-shafted arrows. As the young man lies dying on the road, he tells Karigan he is a Green Rider, one of the legendary messengers of the king of Sacoridia.  
Before he dies, he begs Karigan to deliver the “life and death” message he bears to King Zachary. When she reluctantly he agrees, he makes her swear on his sword to complete his mission, whispering with his dying breath, "Beware the shadow man...".  
Taking on the golden-winged horse brooch that is the symbol of the Green Riders, Karigan is swept into a world of deadly danger and complex magic, her life forever changed. Compelled by forces she cannot understand, Karigan is accompanied by the silent specter of the fallen messenger and hounded by dark beings bent on seeing that the message, and its reluctant carrier, never reach their destination."

There are times when a book's cover will just… well… summon you.  It'll be a book cover that commands you–from a bookshelf in some random bookstore–to buy and read it.  While this year I managed to find a small piece of territory in the science-fiction space opera sub-genre (bless your sweet ASS Tanya Huff for creating Torin Kerr), my itch for a strictly traditional fantasy book had yet to be fulfilled.  Until I saw a mass market copy of Kristen Britain Green Rider at my local Barnes & Noble, and immediately became enchanted and curious by its cover.  It was giving me T. A. Barron The Ancient One tease (my favorite fantasy book).  Ever hesitate from being burned before, I waited matters out.  And each visit it kept calling.  No.  Screaming actually.  

But 500 pages for a fantasy book takes determination and stamina for a reader like myself, so I needed it in the comfort of a hardback if I was going to take it on by the book's weight alone.  Ordered online.  Spent five days reading it (took a day off so it would've been four).  And it was a win!  For once, I got shit right for myself based solely off a cover.


Nevertheless, I’ve stated this before how I’m not that great at taking on fantasy novels.  Why?  Maintenance.  Upkeep.  And little much-needed reference materials to draw from as I delve into all these innovative and imaginative lanes authors have created for themselves and readers.  I always need just a little something extra to remain anchored into the story.  And I can say brevity on the exposition concerning world-building and magic systems is essential to my reading experience.  I guess that brevity is what separates the "epic" in "epic fantasy" from... well... I guess "fantasy."   Forgive my ineptitude on the subject, because Green Rider does away with all my fantasy-reading anxieties and here’s why...


"Karigan thought desperately.  She thought back to summer evenings in an empty warehouse on her father's estate where the cargo master practiced swordplay with her.  For one lesson, he left the wooden practice swords leaning against the wall and devoted the session to what she could do with her bare hands."
~~~~~~~~~~ 
"'I once asked her what she wanted to do with her life,' Rendle said.  'She told me, something adventurous.  She wanted to be a merchant like her father.  It is not many children who choose to follow their parents' footsteps.'" 
~~~~~~~~~~  
"She dreamed also of her mother's ring, which Jendara wore.  Sometimes she dreamed that her mother chastised her for her carelessness.  Other times, her mother held her in a warm embrace....  How did a simple schoolgirl ever get into such a mess?"
The quick backstory of the lead character, Karigan, is simple enough.  Her father created a successful shipping business out of nothing.  This put her family in the spectrum of influence and aristocracy, though they are humble and quiet living below their means.  Her mother died some years ago, leaving just Karigan and her father.  And, also, leaving Karigan with very little baggage about the loss to mull depressingly over.  To further her educational purposes, she went to an elite school where she was later suspended because she crossed a governor's son on the practice field.  A big no-no.

Friday, February 23, 2018

Authorlight: Juniper Leaves by Jaz Joyner





By: Jaz Joyner

Author: Jaz Joyner
Publisher: Black Pansy Books
Genre: Young Adult Fantasy
Length: 248
Release Date: OUT NOW (Ebook & Paperback)
ISBN: 978-0999538616
Synopsis:  Kinky-haired blerd Juniper Bray used to believe in magic, until she lost her best friend: her grandmother. Now this 15-year-old shy girl is headed to her father’s research trip on a farm hundreds of miles away, with a family she barely knows and the opposite of a best friend, her new arch nemesis, Bree Mckinney. As if she wasn’t miserable enough. Little does she know the next few months Juniper will discover magical powers she never knew she had, get a crush on a girl she never knew she’d like and well, quite frankly, save the world. Juniper Leaves is a fantastical coming-of-age tale of a girl who learns to let go, live a little, and best of all, believe in herself — all before her sixteenth birthday.


Jaz Joyner is a black trans essayist, humorist and author residing in Brooklyn, NY. Their work has been featured in Teen Vogue, Afropunk, The Establishment, and others. One of Jaz's essays is featured in the LGBT anthology Outside the XY: Queer, Black and Brown Masculinity. Huffington Post Queer Voices interviewed Jaz to talk about their non binary identity as a person of color and experience as a writer. Most recently they've become a regular on the hit YouTube discussion show TheGrapevine. In 2016, Jaz started their passion project, a humor site called QUNTFRONT with the goal of uplifting QTPoC voices in comedy.  Follow Jaz Joyner on Twitter: @JazJoyner.  Visit Jaz Joyner's website by clicking HERE.

Tuesday, August 23, 2016

Random End-of-Summer Book Haul Continues...


Well, damn.  Just when I hauled one set of books, here comes another.  Friday, it appears, I lost control with book hauling.  No worries.  All this was less than $7.
Since I’m suddenly on a “replenishing my love of fantasy” kick, I finagled my way to books #3 [Phoenix and Ashes] and #4 [The Wizard of London] in Mercedes Lackey’s Elemental Masters series.  I bought them in the same place (public library used bookstore) for the same $1 price.  Apiece.  I figured why the hell not, before someone gets to them first.  After all, I noticed book #5 had suddenly went missing after my previous visit.  So I hurriedly grabbed these two.  

Monday, August 15, 2016

Random Mini Book Haul (SO RANDOM)


After reading The Serpent’s Shadow, I was still in the air about how quickly I wanted to pick up another Mercedes Lackey Elemental Masters book.  Removing this post from all the details on that hesitation, I’ll just link to my video thoughts on the book.  Nevertheless, it goes without saying that if you find a book you’re even slightly interested in nudged on a shelf for a $1, you may as well get it.  So, as luck would have it, I got this pristine copy of the second book in Lackey’s Elemental Masters series, The Gates of Sleep.  Why the hell not, eh?  Might as well for the future.
(Goodreads info on the book is linked HERE!)
Now this next book was one that had me gasping when I uncovered it during the whole browsing process.  Seriously, I was that surprised and pumped with glee.  A Cold Day for Murder is the first book in Dana Stabenow’s Alaska-based Kate Shugak mystery series.  I bought the third book back in March.  Needless to say, it’s been sitting around waiting on the first.  But, no lie, I really couldn’t believe my eyes when this book struck me.
LUCKYYYYY!
(Goodreads info on the book is linked HERE!)
Well, that’s it.  Not really intentional, but hey.  When you’re in the stacks, you’re in the stacks!
Carry on.

Final Thoughts | The Serpent's Shadow by Mercedes Lackey (VIDEO)

Tuesday, July 19, 2016

What? Some Fantasy Novels...?


I told myself “what the hell” today and grabbed these two fantasy novels out of the library used bookstore for a $1 apiece.  As mentioned in the past, the fantasy genre isn’t my strong suit; Urban Fantasy I can nail, given the right ingredients.  Nonetheless, high fantasy–as I’ve learned in the past–takes me an unbelievable amount of energy to focus and survey my way through.  Seriously, with high fantasy you’re thrown into a whole different world of concepts, systems, and ecospheres that allows you little to no reference points to consider.  So I find it troublesome when I attempt to unfold the author’s imagination through my own–at the same time.  Or at least that’s how it feels to me when an author is pounding descriptive exposition of a fantasy empire built onto a water way; congregated by humanoids and humans with varied ascetics not remitting my needing a visual clue.  So it always feels like a gamble when I take on these books.  A gamble of cohesion and comprehension of the events and narrative flow through an author's particular style.
Yet, there’s a wall I want to break to get into these alien and fantasy worlds.  And that’s how I browsed my way to Jude Fisher’s Sorcery Rising (Book One of Fool’s Gold) and the infamous Mercedes Lackey’s The Serpent’s Shadow.  Both their selling points: they feature female leads.  Nonetheless, The Serpent's Shadow's lead is a half-Indian woman named, Maya Witherspoon.  Which really caught my attention.  Other than that, both leads partake in an adventure of some sort.  Oh, and magic will be had.
So it’s going to take some patience keeping up with their respective world-building, politics, and rules of etiquette.  As well as the patience I’ll need to roll my tongue/mind in attempts to correctly pronounce names like “Sanctuarii”, “Arahai”, and “Fotheringay.”
Oh, boy.
But here goes!
Should I jump ship for whatever reason, everyone will be the first to know.
Share your thoughts on high fantasy and these authors.

Friday, January 15, 2016

1Q84 | Aomame X Tengo | BOOK 1

Oh, boy.  Oh, joy.  Oh, what-the-Hell-I-like-this-book.
I decided to open 2016 going after my bigger books.  This includes omnibus editions containing a set of series entries of some sort.  Which is exactly where Haruki Murakami’s 1Q84 lies.  Containing a total of three books, I recently wrapped up the first entry.  And have yet the precise words to describe the experience.  I don’t think there any concrete words.  Yet, not to suggest I didn’t enjoy the experience–because I did.  And a lot more than my previous–and introductory–reading of Murakami’s Dance Dance Dance.
I just don’t know exactly how to put the experience into words.  So perhaps a quick summary would get my thinking juices flowing.  Or one could hope.
So here’s what 1Q84 is about.  Which is only right for me to walk you through this summary alongside myself.  The little synopsis/premise I collected previous to picking the book (over a year ago) were kind of misty on its direction.  The book itself throws all these terms at you to describe your approaching experience.  Romance.  Mystery.  Fantasy.  All to name a few.  And it’s all those descriptions–in some gradient of each over another.  But I found those descriptions useless, for those grappling with engaging with the book.  To me, the book is a surreal reading experience.  One you have to take in without–I guess you could say–a concrete overture to rely on.  Funny how many Japanese writers put me in this frame of mind after venturing through their books.
The story alternates between two third-person narratives.  Of course they'll eventually float into the same literary space of Tokyo, 1984.

Thursday, May 7, 2015

Guest Post: Author Kevin Klehr Drama Queens


Ravenswood Publishing Virtual Tour Presents:
The Drama Queen Series
Title: The Drama Queen Series
Author: Kevin KIehr
Genre: LGBT Fiction

 Book One Synopsis:  Close friends Allan and Warwick are dead.  They're not crazy about the idea.  So to help them deal with this dilemma are Samantha, a blond bombshell from the 1950s, and Guy, an insecure angel.

They are soon drawn into the world of theater–Afterlife style, with all the bitchiness, back-stabbing and ego usually associated with the mortal world.

Allan also has a secret.  He has a romantic crush on his friend, Warwick; but shortly after confiding in his new angel pal, his love interest falls for the cock-sure playwright, Pedro.

Not only does Allan have to win the heart of his companion, he also has to grapple with the faded memory of how he actually died.

Book Two Synopsis:  Adam's about to discover how much drama a mid-life crisis can be.  He's obsessed with Mannix, the nude model in his art class.  But Adam has been married to Wade for nearly two decades, and they don't have an open relationship.

Little do they know that Fabien, a warlock from the Afterlife, has secretly cast a spell of lust on Adam and his potential toy-boy.

As things begin to heat up, Adam's guardian angel, Guy, steps in.  But what's the best way to save the relationship?  Should Guy subdue Adam's wandering passions, or instigate a steamy threesome?

The Author On Dreaming Up a Gay Angel

One evening a friend asked me about my writing. I talked about my surprise at how my gay angel character, Guy, seemed to win many readers’ hearts. And as the night flowed with much conversation and wine, I had an epiphany.

You see, back in the mid-80s when I moved to Sydney, I met a man who was an aspiring artist. He sold his soul to his paintbrush, determined to be as successful as the many avant-garde creatives he admired. He quickly became one of my closest friends.

He had an awkward personality, and although he was liked by those who I introduced him to, his social graces were underdeveloped. This had more to do with the fact that he was self-conscious of what he said and how he acted, and this combination brought out the parent in those he met.

He was unique. He was a guy who balanced part-time work, socialising, and art, making sure there was plenty of time for the latter, as this was his dream. So many hours were spent alone at the easel.

He shared several exhibitions with other artists, but there was one upcoming event he was really excited about – his own individual showcase in Perth. He never made this important event. He died of an asthma attack over the Easter weekend of 1990, one week before his important show.

In my novels, Guy the angel is awkward. He is self-conscious. He brings out the parent in his friends. Yet this character is loosely based on a completely different individual. When I talked about Guy after many wines the other night to a friend, I started wondering if he was really my old buddy.

My artist pal was twenty-eight when he passed away. Guy is about the same age. Both are tall. And in the second paragraph of Drama Queens with Love Scenes, my angel is described as having “a vanilla hint of gayness”. My artist friend denied it, but if he had lived…

The last time I saw him was a week before he died.

He actually said “good-bye”. It sounded so final. This was strange as whenever we parted he’d always make the point of reminding me of our next engagement, which on this occasion, was three weeks away.

I hugged him and something inside told me not to leave. That little voice was encouraging me to stay the night and get drunk with him. But it was Sunday evening and I was catching up with someone else. I always regret not listening to my gut feeling.

The character of Guy developed into his own, but I wonder whether I really just channelled my old friend. Was there a possibility that my subconscious had bled onto my keyboard? And as writers, are we simply doing this all the time without even realising it?


Excerpt from Drama Queens and Adult Themes (Book Two)

He had the perfect vee-shaped torso. The kind that would turn on a dozen potential lovers if he wandered into a gay bar. And while his faultless crew cut was artificially red, his other natural features were as intense as James Dean's. I could go riding in his sports car, feeling the breeze as we headed to Lover's Lane. He'd admire me with his penetrating eyes before undressing me for a lovemaking session so powerful, not even a night with a handpicked selection of porn stars would compare.

But unlike anyone I'd ever met, he was blessed with soft charcoal-colored wings. This was Guy's boyfriend, Joshua. I was back at that thespian drinking haven, the Pedestal, at some stage between going to bed and waking up the next morning.

I tried not to drool at this bad boy, while picturing myself taking off his well-fitted leather jacket, slowly. I wanted to let out an orgasmic moan, before any foreplay had begun.

"I think you need to sleep with Mannix," he said.

He sipped on a Bloody Mary.

"Joshua!" his loving partner reprimanded.

"Joshua, we tried," I said.

"And what happened, sweetheart?"

"He freaked out. He gives us all the signals and then runs off in terror."

"Tsk, tsk. Now why would he do that? You're not exactly on the ugly scale."

"Thanks," I replied. "I think."

"Joshua, that's not the issue here," Guy said. "I've been watching over them, and they're getting obsessed with Mannix. And just as odd, Mannix is obsessed with them. It doesn't make sense."

"What's there to make sense of, Petal? They're grown men looking for a bit of spice. This Mannix dude is the spice. Supply and demand. No problem."

"But Guy has a point," I said. "This is doing my head in. One minute, Wade and I are respectable grown men, the next we're one step away from toupees and face-lifts."

"And is this causing you two to argue? Fight? Split up?"

"Strangely, no."

I picked up my cocktail, resting the top of the glass on my lower lip before sipping slowly.

"Joshua, it's still causing drama," continued Guy. "Adam and Wade have their heads in no-man's land, and Mannix is just as bemused."

"Oh my darlings, they're men. Adult men. Every one of them. That which doesn't kill them, will make them stronger. Or separated but I can't see any hint of that. Can you, Adam?" I nodded tensely. "There, you see, Guy? It might be causing a bit of grief, but in the end, they're men. Once they stop questioning it with their emotions, they'll solve it physically and wonder why they didn't get down and dirty sooner."

I sat with the two angels, none-the-wiser. That dark-skinned woman was back on stage. Sultry jazz was her genre of choice today, and her small ensemble cruised into mellow tones that could set you adrift on a small boat. As she crooned the first lines of "Someone To Watch Over Me", Guy sang the words with her under his breath.

Around me, the mismatched furniture complemented the mismatched cast. A lone African woman, wearing more colors than a peacock's tail, stood transfixed as if the singer was secretly robbing her soul. Her fingers tapped on an imaginary piano, and her wide-eyed stare gave me goose bumps.

An old lady, dressed in clothes her own granddaughter would wear, clutched her wine glass like it was a precious jewel. At the same time, she gazed into the eyes of a mature athletic man who looked like he once had a passion for ballet dancing. Their loving gaze reminded me of the way Wade sometimes looked at me.

"So, Joshua, you think we're making too much of a big deal about this?"

He rubbed the tip of his sculptured jawline as Guy casually leaned toward him.

"Adam, darling, there are men who put themselves through hell and back trying to do the right thing. They won't act until they work out all the final consequences. And let's face it, as much pontificating as humanly possible is not ever going to let you know the final outcome, really! And there are men who are a lot more spirited and take life as a challenge. Go forth and take the risk and see where it leads you."

"Joshua, Adam understands that," Guy said. "But there's Wade to consider. What if their marriage falls apart?"

"Darling, seriously. From what you've told me, they're not going to fall apart. It's all just a bit of fun. Mannix is a new appliance, like a fridge or a vibrator. Something that has a use. And think, Adam. Think of the uses you can come up with, with your new appliance."


Author & Links

Kevin lives with his long-term partner in their humble apartment (affectionately named Sabrina), in Australia's own 'Emerald City,' Sydney.

From an early age, Kevin had a passion for writing, jotting down stories and plays until it came time to confront puberty.  After dealing with pimple creams and facial hair, Kevin didn't pick up a pen again until he was in his thirties.  His handwritten manuscript was being committed to paper when his social circumstances changed, giving him no time to write.  Concerned, his partner, Warren, snuck the notebook out to a friend who in turn came back and demanded Kevin finish his novel.  It wasn't long before Kevin's active imagination was let loose again.

Kevin's first novel, Drama Queens with Love Scenes, has been relaunched via Wilde City Press along with the sequel Drama Queens with Adult Themes.

Kevin is currently working on his third in the series, Drama Queens and Devilish Schemes, and a romance novella, Nathan and the New Yorker.

Currently Available At:




Friday, April 24, 2015

Bein and His Wind

Tokyo is about to find itself in the grips of a stream of terrorist attacks driven by a religious zealot named Joko Daishi. Joko is dedicated to his beliefs, those of which circulating around how society needs purification through a baptism of fire. However, the unconcerned citizens of Tokyo are too wrapped up in their bustling lives to give a damn about his message. And not “giving a damn” may be the reason Joko found himself released from police custody after his last terrorist event (check out book two in the series, Year of the Demon). And while Tokyo’s police department may have turned somewhat of a blind eye to Joko’s terrorism, Detective Sergeant Mariko Oshiro has not. Unfortunately, there’s not much she can do.  Having thwarted Joko in the past, Mariko's petition for her Captain to detain and hold Joko eventually causes her her badge. (You know, because she’s a woman and can’t be vocal.  That type of bullshit.)

Without the support of the Tokyo Police Department, Mariko has to find other resources to stop Joko from destroying Tokyo.  What Mariko doesn't know is that she's already drawn the attention of an underground syndicate known as The Wind. The Wind once harbored and trained Joko Daishi and, in effect, is responsible for him. Regardless, they need Mariko’s help.  She carries an Inazuma blade, handed down to her by her deceased senshi.  Inazuma blades are centuries old and cursed; The Wind believes this is their means of stopping Joko.  So Mariko's choice becomes simple–yet highly complicated.  She can join The Wind to stop Joko Daishi, or go at it alone before her city is destroyed. And the longer she contemplates her choices, the more personal her decision becomes.

Wow. Now where do I really start with this one? First, this is book three (and I believe it’s the last) in Steve Bein’s Fated Blades series. As I've mentioned in previous posts about previous books, the series is part contemporary crime thriller and part historical fantasy. It switches time and space.  A lump of chapters are told in the today's world, viewed through Tokyo Detective Sergeant Mariko Oshiro.  Her chapters focuses on her role as the owner of one of the various cursed Inazuma blades crafted in ancient Japan, and how she uses the blade to stop terrorists. Meanwhile, the counter chapters follows the story of a young, crippled samurai named, Daigoro. During Japan's Azuchi-Momoyama period, Daigoro is the owner of the same Inazuma blade as Mariko. The majority of his narrative revolves around him using the sword as a means to protect his clan.  With a mother suffering from a nervous breakdown after the death of his father and brother, adjacent clans use political manoeuvres and intrigue in attempts to take what little honor and status Daigoro has.  Naturally, they want his blade as well. 

These two have carried the series since the first book. However, in the second book came a new character named Kaida.  

Kaida was a pearl diver who turned away from her family to become an assassin working for The Wind.  Unfortunately, the continuation of her story isn't in Disciple of the Wind. So I was a bit disappointed.  Clearly her portion was meant to give readers the history behind the origins of The Wind, origins that would've been beneficial to Disciple.  But for Disciple's length purposes, her story is available in a Kindle novella.  I'll probably get to it at a later date.

Despite all that, I'm happy to say that there is more Mariko in this entry. And more Mariko means far more action in the form of shoot-outs, sword fights, and a healthy dose of detection and crime boss confrontations. In Year of the Demon my biggest complaint was the lack of her presence, so I suppose it worked to cut out Kaida’s story. Nevertheless, that’s not to say that Daigoro’s portion isn't as strong, as it draws to its own conclusion within the series (his opponent is easily the most interesting and best). I love his bits in particularly because they're all about ancient Japanese political intrigue.  Careful navigation of politics operate better than a flat-out sword fight, if you want to save your family and save your ass from a beheading. But trust me, there are still plenty of sword fights and action in his story as well.

Now I still have to mention how–after three books–some of the characters in the series come across as slightly overblown. One example comes in how Mariko’s Captain was an unapologetically drawn bigot who did a lot of fist-waving and kowtow-demanding of Mariko...still.  It just got old with him shrieking at her, and no amount of head-bowing could save Mariko or my patience.  Also, I know I just said that I was happy to see more Mariko, but even she suffered from moments of overdrawn-ness.  She karate chopped and sprung her way through some scenes where she didn’t appear threatened or in immediate danger.  So yes, there were times when I wished she would chill out for a second on the Zero Woman act.  

There were also moments where action scenes were muffled and scrambled with disorienting choreography. A bad guy leaping from a hail storm of bullets manages to hide undetected behind the leg of a pool table inside of a bar, meanwhile Mariko and her partner are underneath that pool table unaware of him. And when they finally notice said bad guy, he jumps up and leaps out of the window.  You can only wonder if the bullets stopped raining over the place enough for him to take the risk. Or still, how and when did he get behind that pool table’s leg undetected?  Lots of scenes came across like this.  Those hazy, semi-teleporting characters and scene transitions that aren't quite clear.

All in all, I highly recommend the Fated Blade series. Especially for those interested in Japan, Japanese culture, crime fiction, and historical fantasies.  Additionally, if you're like me and have mostly given up on the urban fantasy genre, this may be your ticket back in.  Give this series a greenlight.  

Lastly, if this is the last book, I can say I'll miss the series.

Monday, April 13, 2015

Guest Post: Chad T. Douglas on Earthshine

Earthshine by Chad T. Douglas

Title: Earthshine
Author: Chad T. Douglas
Genre: Science Fiction/Fantasy
Length: 306 pages
Release Date: January 30, 2015
ISBN-13: 978-1507540152

SYNOPSIS: Benni Dublanc is exemplary, which, in the year 2622 CE, is entirely ordinary. She’s young, she’s pretty, she’s in love, and she attends Academy Aeraea, a center of fashion, thought and modern style built on the pulse of the greatest city ever imagined—Genesia, Mars. Like all Genesians, Benni has never seen a blue sky, she can summon any and all knowledge into view with nothing more than a thought, makes her daily two-hundred kilometer commute in two minutes, and was sculpted into a model citizen beginning from the day she was born. Benni will never know famine, she will never know war, and after a horrific accident on the night of her twenty-second birthday, she will never be human again.


Earthshine: Why It Isn't Dystopia


I think that anyone who’s read anything since Orwell’s 1984 might be tempted into believing that it’s science fiction’s unofficial job to tell us why, as a species, we're going to fail, and why we're going to do a bang-up job of it particularly right before the end. 1984 is one of my favorite novels of all time, and though it cast a soul-crushingly grim forecast of humanity’s potential future, it was one of those books that needed to be written, because it was full of dangers that humankind doesn't need to forget about anytime soon, particularly in regard to the power we afford our governments and the people in charge of mass media and information.


Not all science fiction, or speculative fiction, draws an apparently ugly vision of days to come. Aldous Huxley’s Brave New World demonstrated that a world of perfect comfort can be just as much a nightmare as one where Big Brother makes you disappear for getting out of line. There is no perfect future to speculate about, because perfection is irreconcilably subjective, and so ‘utopia’ and ‘dystopia’ are often two words that science fiction tells us both mean ‘doom’.

This is to say, prior to writing Earthshine, I'd already had a number of dystopian futures fully illustrated for me and I'd tucked them away in my head. The thing about the future is that it’s always changing, because the present is always changing. Orwell and Huxley wrote their dystopias for the world they currently lived in.

The particular world I live in now is very similar to the one I lived in when I began Earthshine. I was in college when I first sat down to try my hand at social fortunetelling, and that was only a few years ago. The news then, just as it often is now, was full of worries about housing market stagnation, crippling student debt, never-ending crises in the Middle East, oil prices, global warming, marriage inequality, unemployment, and it seemed like a school or a shopping mall became the victim of a mass shooting every other month or week. While the news reminded me of all these things on a daily basis, my own, immediate world was handing me several hard lessons to boot. Most prominently, I was accruing debt to further an education that held zero guarantees of success, and that public school and honor roll mentality I’d been raised on weren't necessarily going to get me anywhere in real-world America, 2012. Anyone would think an author with all these less-than-cheery revelations in mind would write about dystopia, but I didn’t.

Earthshine is a story about a city on Mars in 2622 CE, and it’s also a story about the place and time we live now. It’s about the human beings we are trying to become, and it’s about the human beings we tend to revert to out of habit. It’s a story about the things we ought to think about before we take our next big steps, and the things that could happen if we don't plan carefully enough. It’s about consequences, good and bad. What’s most important, though, is that Earthshine isn't about utopia or dystopia. Earthshine is a reflection on human dreams and human nature. It asks us to take responsibility for who we are and what we see in ourselves, and asks us not to divorce our species from the ability to be honest with itself. Simply put, it’s not a story about how a bad society is going to ruin us. It’s a story about how to avoid letting our own bad judgment and passive complacency ruin a good society.


Author Information & Links

Chad T. Douglas was born in Wilkesboro, North Carolina in 1989. In 2002, he moved to Florida with his family and in December 2009, as a sophomore attending the University of Florida, Douglas published A Pirate’s Charm, the first novel of the Lore trilogy. One year later, he released his second novel, East and Eight. Around that time, Douglas became a staff writer for the McGuire Center for Lepidoptera and Biodiversity at the Florida Museum of Natural History. When he wasn’t working on his novels, Douglas traveled with and wrote for the McGuire Center. Since 2010, he has visited Honduras,

Kenya, Ecuador, the Galapagos Islands and Mexico as a travel writer.

Douglas’s first novel, A Pirate's Charm, came to mind when he was a junior in high school. He began writing the Lore series for fun, and originally did not plan on publishing it. When he started college in 2008, he entered as an Architectural Design major, leaving the program in less than two weeks and immediately becoming an English major. One year later, in love with English and writing, Douglas began work on self-publishing the first installment of his historical fiction and fantasy trilogy. His first book signing took place at Books Inc, Gainesville, in February 2010, two months after publication. That same year, he published the second novel in the Lore trilogy, titled East and Eight. The third installment in the Lore trilogy, The Old World, was released in fall 2011. The Lore series has received honors in the 2011 New York Book Festival Book Contest, the 2012 Los Angeles Book Festival Book Contest, and the 78th Annual Writer’s Digest Writing Competition.

Since 2009, Douglas has traveled to and appeared at book festivals in Florida, including the 1st, 2nd and 3rd annual UCF Book Festival in Orlando, the Ft. Myers Book Festival and the Miami International Book Festival. His first novel A Pirate’s Charm was a hit in two festivals in Georgia, including the AJC Decatur Book Festival and the Tybee Island Pirate Festival. In 2010, Douglas was the keynote speaker for the Marion County Library’s CREATE program. There, he signed books and shared personal stories of travel and self-publishing with 150 young writers who all received copies of A Pirate’s Charm courtesy of the library. In 2014, he made his first international appearance as an undiscovered American author at the Paris Book Fair at Salon du Livre. Douglas has since begun work on several new projects. His most recent novel, Earthshine (2015), is a work of science fiction.

Total Pageviews