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"A woman is killed at a ghostly mountain pass in southern Japan and the local police quickly pinpoint a suspect. But as the puzzle pieces of the crime slowly click into place, new questions arise. Is a villain simply the person who commits a crime or are those who feel no remorse for malicious behavior just as guilty? Moving from office parks and claustrophobic love hotels to desolate seaside towns and lighthouses, Shuichi Yoshida's dark thriller reveals the inner lives of men and women who have something to hide."I decided to borrow the book’s synopsis to keep Villain’s plot as imprecise as possible. Why? Because while Villain’s unfolding events may seem apparent in the beginning, there are moments of both physiological and story progression that deters, squeezes, and red herrings you around the entanglements of the book. All of which may spoil the reading experience should I try to lay it all out in a summary. Nevertheless, to me Villain works in part like a character analysis, societal/cultural examination, noir thriller, and salacious love story. And while some of those elements may not seem to correspond properly with one another–or belong underneath the same listing–it’s kind of what I'm left with after reading the book.